It is about things that will be vanished quickly,
and landscapes that will be collapsed soon.
We all experience to be someone else.
Landscapes that are like hallucination feel like
our daily lives embracing events, but also trigger
remembered emotions imprinted in the body.
All landscapes are an observer as well as a witness
to the event.
I use charcoal. Drawing disappearing landscapes
with charcoal not only enables to make tactile textures
on the surface, as a way of covering landscape
with a film cover by erasing and rubbing
but also is connected with the emotional aspect of
capturing the disappearing landscapes.
I aim to arouse sympathy for big and small events
happening around us through landscape scenes
like a fictional stage and to illustrate art's capacity
to recover by expressing time that is left.